{"id":22047,"date":"2026-07-02T15:04:09","date_gmt":"2026-07-02T21:04:09","guid":{"rendered":"https:\/\/support.epiloglaser.com\/staging\/?p=22047"},"modified":"2026-07-08T17:11:27","modified_gmt":"2026-07-08T23:11:27","slug":"fusion-ascent-suggested-material-settings-co2","status":"publish","type":"post","link":"https:\/\/support.epiloglaser.com\/staging\/laser-machine\/fusion-ascent\/manual\/fusion-ascent-suggested-material-settings-co2\/","title":{"rendered":"Fusion Ascent Suggested Material Settings (CO2)"},"content":{"rendered":"
\n
\n\n\n\n\n <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n\\n <\/p>\n
Material<\/th>\nDPI \/ Freq.<\/th>\n30 watt<\/th>\n40 watt<\/th>\n60 watt<\/th>\n80 watt<\/th>\n<\/tr>\n<\/thead>\n
Acrylic<\/strong><\/td>\n<\/td>\n<\/tr>\n
Photo Engraving<\/td>\n300 DPI<\/td>\n100s 75p<\/td>\n100s 70p<\/td>\n100s 60p<\/td>\n100s 50p<\/td>\n<\/tr>\n
Text\/Clipart Engraving<\/td>\n300 DPI<\/td>\n100s 75p<\/td>\n100s 70p<\/td>\n100s 60p<\/td>\n100s 50p<\/td>\n<\/tr>\n
Text\/Clipart Engraving (High Detail)<\/td>\n500 DPI<\/td>\n100s 70p<\/td>\n100s 65p<\/td>\n100s 50p<\/td>\n100s 40p<\/td>\n<\/tr>\n
Cutting 1\/8″ (3 mm)<\/td>\n100 f<\/td>\n6s 100p<\/td>\n8s 100p<\/td>\n20s 100p<\/td>\n30s 100p<\/td>\n<\/tr>\n
Cutting 1\/4″ (6 mm)<\/td>\n100 f<\/td>\n3s 100p<\/td>\n4s 100p<\/td>\n8s 100p<\/td>\n10s 100p<\/td>\n<\/tr>\n
Cutting 3\/8″ (9.5 mm)<\/td>\n100 f<\/td>\n\u2014<\/td>\n2s* 100p<\/td>\n4s 100p<\/td>\n5s 100p<\/td>\n<\/tr>\n
Cutting 1\/2″ (13 mm)<\/td>\n100 f<\/td>\n\u2014<\/td>\n\u2014<\/td>\n1s 100p<\/td>\n2s 100p<\/td>\n<\/tr>\n

<\/p>\n

\n
\n
\n Cutting Note:<\/strong> Adjusting the standard focus distance so it is closer to the lens by about .080\u201d (2 mm) will produce better edge quality when cutting 1\/4\u201d (6 mm) acrylic and thicker. Two passes can be used for cutting thicker materials.
\n There are two types of acrylic: cast<\/strong> is better for engraving (it creates a frosted look when engraved) and extruded<\/strong> acrylic produces a much better flame polished edge.\n <\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n

<\/p>\n

Alumamark<\/strong><\/td>\n<\/td>\n<\/tr>\n
Engraving<\/td>\n500 DPI<\/td>\n100s 35p<\/td>\n100s 30p<\/td>\n100s 15p<\/td>\n100s 10p<\/td>\n<\/tr>\n

<\/p>\n

Anodized Aluminum<\/strong><\/td>\n<\/td>\n<\/tr>\n
Photos\/Clipart<\/td>\n400 DPI<\/td>\n100s 65p<\/td>\n100s 55p<\/td>\n100s 35p<\/td>\n100s 30p<\/td>\n<\/tr>\n
Photos\/Clipart<\/td>\n500 DPI<\/td>\n100s 60p<\/td>\n100s 50p<\/td>\n100s 30p<\/td>\n100s 30p<\/td>\n<\/tr>\n
Text<\/td>\n500 DPI<\/td>\n100s 70p<\/td>\n100s 60p<\/td>\n100s 40p<\/td>\n100s 30p<\/td>\n<\/tr>\n

<\/p>\n

\n
\n
\n Note:<\/strong> We find when engraving anodized aluminum, text appears best at 500 DPI, but photos and clipart can be engraved with great detail down to 400 DPI.\n <\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n

<\/p>\n

Cork<\/strong><\/td>\n<\/td>\n<\/tr>\n
Engraving<\/td>\n500 DPI<\/td>\n100s 70p<\/td>\n100s 60p<\/td>\n100s 40p<\/td>\n100s 20p<\/td>\n<\/tr>\n

<\/p>\n

Fleece<\/strong><\/td>\n<\/td>\n<\/tr>\n
Engraving<\/td>\n200 DPI<\/td>\n100s 50p<\/td>\n100s 40p<\/td>\n100s 20p<\/td>\n100s 15p<\/td>\n<\/tr>\n

<\/p>\n

\n
\n
\n Note:<\/strong> When engraving fabric, try changing the graphic to 80% gray and use the Jarvis dithering pattern for the best results. Every fabric you are cutting will need adjusted settings \u2014 find a small swatch of the fabric you can test first.\n <\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n

<\/p>\n

Glass<\/strong><\/td>\n<\/td>\n<\/tr>\n
Engraving<\/td>\n500 DPI<\/td>\n30s 100p<\/td>\n40s 100p<\/td>\n60s 100p<\/td>\n70s 100p<\/td>\n<\/tr>\n

<\/p>\n

\n
\n
\n Note:<\/strong> When etching glass, try changing the graphic to 80% gray before engraving and using the Jarvis dithering pattern. You can also diffuse heat by covering the glass with a thin layer of dish soap.\n <\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n

<\/p>\n

Leather<\/strong><\/td>\n<\/td>\n<\/tr>\n
Photo Engraving<\/td>\n300 DPI<\/td>\n100s 80p<\/td>\n100s 70p<\/td>\n100s 50p<\/td>\n100s 40p<\/td>\n<\/tr>\n
Text\/Clipart Engraving<\/td>\n500 DPI<\/td>\n100s 70p<\/td>\n100s 60p<\/td>\n100s 40p<\/td>\n100s 30p<\/td>\n<\/tr>\n
Cutting 1\/8″ (3 mm)<\/td>\n50 f<\/td>\n\u2014<\/td>\n10s 100p<\/td>\n20s 100p<\/td>\n25s 100p<\/td>\n<\/tr>\n

<\/p>\n

Mat Board<\/strong><\/td>\n<\/td>\n<\/tr>\n
Cutting<\/td>\n50 f<\/td>\n25s 40p<\/td>\n25s 30p<\/td>\n30s 30p<\/td>\n30s 25p<\/td>\n<\/tr>\n

<\/p>\n

Marble<\/strong><\/td>\n<\/td>\n<\/tr>\n
Photo Engraving<\/td>\n300 DPI<\/td>\n100s 90p<\/td>\n100s 80p<\/td>\n100s 60p<\/td>\n100s 50p<\/td>\n<\/tr>\n
Text Engraving<\/td>\n500 DPI<\/td>\n100s 80p<\/td>\n100s 70p<\/td>\n100s 50p<\/td>\n100s 40p<\/td>\n<\/tr>\n

<\/p>\n

\n
\n
\n Note:<\/strong> Every marble is very different for settings. Start low and increase the power with a second run if you haven\u2019t used that marble before.\n <\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n

<\/p>\n

Painted Brass<\/strong><\/td>\n<\/td>\n<\/tr>\n
Engraving<\/td>\n300 DPI<\/td>\n100s 35p<\/td>\n100s 30p<\/td>\n100s 15p<\/td>\n100s 10p<\/td>\n<\/tr>\n
Engraving<\/td>\n500 DPI<\/td>\n100s 30p<\/td>\n100s 25p<\/td>\n100s 15p<\/td>\n100s 10p<\/td>\n<\/tr>\n

<\/p>\n

Plastics<\/strong><\/td>\n<\/td>\n<\/tr>\n
Engraving<\/td>\n300 DPI<\/td>\n100s 45p<\/td>\n100s 40p<\/td>\n100s 30p<\/td>\n100s 25p<\/td>\n<\/tr>\n
\n
\n
\n Note:<\/strong> These settings work well with many plastics, including plastic phones and covers. Even one color plastics can achieve a great look when engraved.\n <\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n

<\/p>\n

Plastic (2 Layer Laser Engraveable)<\/strong><\/td>\n<\/td>\n<\/tr>\n
Engraving<\/td>\n300 DPI<\/td>\n100s 70p<\/td>\n100s 65p<\/td>\n100s 35p<\/td>\n100s 25p<\/td>\n<\/tr>\n
Engraving<\/td>\n500 DPI<\/td>\n100s 60p<\/td>\n100s 50p<\/td>\n100s 30p<\/td>\n100s 20p<\/td>\n<\/tr>\n
Cutting 1\/16″ (1.5 mm)<\/td>\n100 f<\/td>\n10s 65p<\/td>\n10s 55p<\/td>\n20s 40p<\/td>\n20s 25p<\/td>\n<\/tr>\n

<\/p>\n

Stainless Steel w\/ Metal Marking Solution<\/strong><\/td>\n<\/td>\n<\/tr>\n
Engraving<\/td>\n500 DPI<\/td>\n15s 100p<\/td>\n20s 100p<\/td>\n30s 100p<\/td>\n40s 100p<\/td>\n<\/tr>\n

<\/p>\n

Twill<\/strong><\/td>\n<\/td>\n<\/tr>\n
Cutting<\/td>\n25 f<\/td>\n70s 100p<\/td>\n90s 100p<\/td>\n90s 60p<\/td>\n90s 50p<\/td>\n<\/tr>\n

<\/p>\n

Wood<\/strong><\/td>\n<\/td>\n<\/tr>\n
Photo Engraving<\/td>\n500 DPI<\/td>\n50s 100p<\/td>\n60s 100p<\/td>\n80s 100p<\/td>\n90s 100p<\/td>\n<\/tr>\n
Clipart\/Text Engraving<\/td>\n300 DPI<\/td>\n40s 100p<\/td>\n50s 100p<\/td>\n90s 100p<\/td>\n100s 100p<\/td>\n<\/tr>\n
Clipart\/Text Engraving<\/td>\n500 DPI<\/td>\n30s 100p<\/td>\n40s 100p<\/td>\n60s 100p<\/td>\n80s 100p<\/td>\n<\/tr>\n
Deep Engraving<\/td>\n500 DPI<\/td>\n20s 100p<\/td>\n30s 100p<\/td>\n50s 100p<\/td>\n60s 100p<\/td>\n<\/tr>\n
Thin Veneer (Cutting)<\/td>\n10 f<\/td>\n40s 100p<\/td>\n40s 90p<\/td>\n50s 60p<\/td>\n50s 40p<\/td>\n<\/tr>\n
Cutting 1\/8″ (3 mm)<\/td>\n10 f<\/td>\n10s 100p<\/td>\n15s 100p<\/td>\n25s 100p<\/td>\n30s 100p<\/td>\n<\/tr>\n
Cutting 1\/4″ (6 mm)<\/td>\n10 f<\/td>\n<\/td>\n2s 100p<\/td>\n4s 100p<\/td>\n12s 100p<\/td>\n<\/tr>\n
Cutting 3\/8″ (9.5 mm)<\/td>\n10 f<\/td>\n<\/td>\n<\/td>\n6s 100p<\/td>\n8s 100p<\/td>\n<\/tr>\n
Cutting 1\/2″ (12 mm)<\/td>\n10 f<\/td>\n<\/td>\n<\/td>\n<\/td>\n4s 100p<\/td>\n<\/tr>\n

<\/p>\n

\n
\n
\n Note:<\/strong> When cutting wood, multiple passes may allow cutting of thicker materials. Using Color Mapping you can adjust the focus point between passes down to the center point of the cut for the best results.\n <\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n
\n
\n
    \n
  • These are only suggestions: Every type of material will react differently with the laser, even from one plastic to the next. Use these settings as your starting point then adjust one variable at a time until you achieve the result you desire. Settings for any material are a matter of personal preference. Not every material that can be run at high speed should be run at high speed. A better mark can often be achieved by slowing your laser and giving the laser longer to react to your material.<\/li>\n
  • Test your material: If you have a small area of the material you won\u2019t be using, or an extra item, take advantage of this area to test out your settings by engraving a small square or cutting a small circle. You can fine tune your settings in these areas.<\/li>\n
  • Similar materials use similar settings: When you are working with a material you aren\u2019t familiar with, think about a similar material and what settings you would use with that product. Most anodized aluminums will react well with similar settings, as will most plastics.<\/li>\n
  • When in doubt, start low: Remember, you can always re-run your job as long as you don\u2019t move it in the machine. Let\u2019s say you\u2019re running a photograph in a one-of-a-kind wood plaque. Start with a lower power setting, look at the engraving, then run the project a second time at high speed and lower power a second time to add a little more depth if needed.<\/li>\n
  • Run only one part of the file: If running a job on a new material, you can always just select one piece of the engraving, like a piece of text, and run that part first to make sure your settings are perfect before running the whole file.<\/li>\n<\/ul>\n
    \n
    \n \"Save\n <\/div>\n
Acrylic<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Photo Engraving<\/td>\n

\\n <\/p>\n

300 DPI<\/td>\n

\\n <\/p>\n

100s 75p<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 60p<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Text\/Clipart Engraving<\/td>\n

\\n <\/p>\n

300 DPI<\/td>\n

\\n <\/p>\n

100s 75p<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 60p<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Text\/Clipart Engraving (High Detail)<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 65p<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/p>\n

100s 40p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 1\/8\\” (3 mm)<\/td>\n

\\n <\/p>\n

100 f<\/td>\n

\\n <\/p>\n

6s 100p<\/td>\n

\\n <\/p>\n

8s 100p<\/td>\n

\\n <\/p>\n

20s 100p<\/td>\n

\\n <\/p>\n

30s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 1\/4\\” (6 mm)<\/td>\n

\\n <\/p>\n

100 f<\/td>\n

\\n <\/p>\n

3s 100p<\/td>\n

\\n <\/p>\n

4s 100p<\/td>\n

\\n <\/p>\n

8s 100p<\/td>\n

\\n <\/p>\n

10s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 3\/8\\” (9.5 mm)<\/td>\n

\\n <\/p>\n

100 f<\/td>\n

\\n <\/p>\n

\u2014<\/td>\n

\\n <\/p>\n

2s* 100p<\/td>\n

\\n <\/p>\n

4s 100p<\/td>\n

\\n <\/p>\n

5s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 1\/2\\” (13 mm)<\/td>\n

\\n <\/p>\n

100 f<\/td>\n

\\n <\/p>\n

\u2014<\/td>\n

\\n <\/p>\n

\u2014<\/td>\n

\\n <\/p>\n

1s 100p<\/td>\n

\\n <\/p>\n

2s 100p<\/td>\n

\\n <\/tr>\n

\\n \\n <\/p>\n

\\n <\/p>\n
\\n \\n <\/p>\n
\\n Cutting Note:<\/strong> Adjusting the standard focus distance so it is closer to the lens by about .080\u201d (2 mm) will produce better edge quality when cutting 1\/4\u201d (6 mm) acrylic and thicker. Two passes can be used for cutting thicker materials.
\\n There are two types of acrylic: cast<\/strong> is better for engraving (it creates a frosted look when engraved) and extruded<\/strong> acrylic produces a much better flame polished edge.\\n <\/div>\n

\\n <\/p><\/div>\n

\\n <\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Alumamark<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 35p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/p>\n

100s 15p<\/td>\n

\\n <\/p>\n

100s 10p<\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Anodized Aluminum<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Photos\/Clipart<\/td>\n

\\n <\/p>\n

400 DPI<\/td>\n

\\n <\/p>\n

100s 65p<\/td>\n

\\n <\/p>\n

100s 55p<\/td>\n

\\n <\/p>\n

100s 35p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Photos\/Clipart<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 60p<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Text<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 60p<\/td>\n

\\n <\/p>\n

100s 40p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/tr>\n

\\n \\n <\/p>\n

\\n <\/p>\n
\\n \\n <\/p>\n
\\n Note:<\/strong> We find when engraving anodized aluminum, text appears best at 500 DPI, but photos and clipart can be engraved with great detail down to 400 DPI.\\n <\/div>\n

\\n <\/p><\/div>\n

\\n <\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Cork<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 60p<\/td>\n

\\n <\/p>\n

100s 40p<\/td>\n

\\n <\/p>\n

100s 20p<\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Fleece<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

200 DPI<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/p>\n

100s 40p<\/td>\n

\\n <\/p>\n

100s 20p<\/td>\n

\\n <\/p>\n

100s 15p<\/td>\n

\\n <\/tr>\n

\\n \\n <\/p>\n

\\n <\/p>\n
\\n \\n <\/p>\n
\\n Note:<\/strong> When engraving fabric, try changing the graphic to 80% gray and use the Jarvis dithering pattern for the best results. Every fabric you are cutting will need adjusted settings \u2014 find a small swatch of the fabric you can test first.\\n <\/div>\n

\\n <\/p><\/div>\n

\\n <\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Glass<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

30s 100p<\/td>\n

\\n <\/p>\n

40s 100p<\/td>\n

\\n <\/p>\n

60s 100p<\/td>\n

\\n <\/p>\n

70s 100p<\/td>\n

\\n <\/tr>\n

\\n \\n <\/p>\n

\\n <\/p>\n
\\n \\n <\/p>\n
\\n Note:<\/strong> When etching glass, try changing the graphic to 80% gray before engraving and using the Jarvis dithering pattern. You can also diffuse heat by covering the glass with a thin layer of dish soap.\\n <\/div>\n

\\n <\/p><\/div>\n

\\n <\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Leather<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Photo Engraving<\/td>\n

\\n <\/p>\n

300 DPI<\/td>\n

\\n <\/p>\n

100s 80p<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/p>\n

100s 40p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Text\/Clipart Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 60p<\/td>\n

\\n <\/p>\n

100s 40p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 1\/8\\” (3 mm)<\/td>\n

\\n <\/p>\n

50 f<\/td>\n

\\n <\/p>\n

\u2014<\/td>\n

\\n <\/p>\n

10s 100p<\/td>\n

\\n <\/p>\n

20s 100p<\/td>\n

\\n <\/p>\n

25s 100p<\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Mat Board<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting<\/td>\n

\\n <\/p>\n

50 f<\/td>\n

\\n <\/p>\n

25s 40p<\/td>\n

\\n <\/p>\n

25s 30p<\/td>\n

\\n <\/p>\n

30s 30p<\/td>\n

\\n <\/p>\n

30s 25p<\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Marble<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Photo Engraving<\/td>\n

\\n <\/p>\n

300 DPI<\/td>\n

\\n <\/p>\n

100s 90p<\/td>\n

\\n <\/p>\n

100s 80p<\/td>\n

\\n <\/p>\n

100s 60p<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Text Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 80p<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/p>\n

100s 40p<\/td>\n

\\n <\/tr>\n

\\n \\n <\/p>\n

\\n <\/p>\n
\\n \\n <\/p>\n
\\n Note:<\/strong> Every marble is very different for settings. Start low and increase the power with a second run if you haven\u2019t used that marble before.\\n <\/div>\n

\\n <\/p><\/div>\n

\\n <\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Painted Brass<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

300 DPI<\/td>\n

\\n <\/p>\n

100s 35p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/p>\n

100s 15p<\/td>\n

\\n <\/p>\n

100s 10p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/p>\n

100s 25p<\/td>\n

\\n <\/p>\n

100s 15p<\/td>\n

\\n <\/p>\n

100s 10p<\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Plastics<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

300 DPI<\/td>\n

\\n <\/p>\n

100s 45p<\/td>\n

\\n <\/p>\n

100s 40p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/p>\n

100s 25p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

\\n <\/p>\n
\\n \\n <\/p>\n
\\n Note:<\/strong> These settings work well with many plastics, including plastic phones and covers. Even one color plastics can achieve a great look when engraved.\\n <\/div>\n

\\n <\/p><\/div>\n

\\n <\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Plastic (2 Layer Laser Engraveable)<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

300 DPI<\/td>\n

\\n <\/p>\n

100s 70p<\/td>\n

\\n <\/p>\n

100s 65p<\/td>\n

\\n <\/p>\n

100s 35p<\/td>\n

\\n <\/p>\n

100s 25p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

100s 60p<\/td>\n

\\n <\/p>\n

100s 50p<\/td>\n

\\n <\/p>\n

100s 30p<\/td>\n

\\n <\/p>\n

100s 20p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 1\/16\\” (1.5 mm)<\/td>\n

\\n <\/p>\n

100 f<\/td>\n

\\n <\/p>\n

10s 65p<\/td>\n

\\n <\/p>\n

10s 55p<\/td>\n

\\n <\/p>\n

20s 40p<\/td>\n

\\n <\/p>\n

20s 25p<\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Stainless Steel w\/ Metal Marking Solution<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

15s 100p<\/td>\n

\\n <\/p>\n

20s 100p<\/td>\n

\\n <\/p>\n

30s 100p<\/td>\n

\\n <\/p>\n

40s 100p<\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Twill<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting<\/td>\n

\\n <\/p>\n

25 f<\/td>\n

\\n <\/p>\n

70s 100p<\/td>\n

\\n <\/p>\n

90s 100p<\/td>\n

\\n <\/p>\n

90s 60p<\/td>\n

\\n <\/p>\n

90s 50p<\/td>\n

\\n <\/tr>\n

\\n\\n \\n <\/p>\n

Wood<\/strong><\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Photo Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

50s 100p<\/td>\n

\\n <\/p>\n

60s 100p<\/td>\n

\\n <\/p>\n

80s 100p<\/td>\n

\\n <\/p>\n

90s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Clipart\/Text Engraving<\/td>\n

\\n <\/p>\n

300 DPI<\/td>\n

\\n <\/p>\n

40s 100p<\/td>\n

\\n <\/p>\n

50s 100p<\/td>\n

\\n <\/p>\n

90s 100p<\/td>\n

\\n <\/p>\n

100s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Clipart\/Text Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

30s 100p<\/td>\n

\\n <\/p>\n

40s 100p<\/td>\n

\\n <\/p>\n

60s 100p<\/td>\n

\\n <\/p>\n

80s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Deep Engraving<\/td>\n

\\n <\/p>\n

500 DPI<\/td>\n

\\n <\/p>\n

20s 100p<\/td>\n

\\n <\/p>\n

30s 100p<\/td>\n

\\n <\/p>\n

50s 100p<\/td>\n

\\n <\/p>\n

60s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Thin Veneer (Cutting)<\/td>\n

\\n <\/p>\n

10 f<\/td>\n

\\n <\/p>\n

40s 100p<\/td>\n

\\n <\/p>\n

40s 90p<\/td>\n

\\n <\/p>\n

50s 60p<\/td>\n

\\n <\/p>\n

50s 40p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 1\/8\\” (3 mm)<\/td>\n

\\n <\/p>\n

10 f<\/td>\n

\\n <\/p>\n

10s 100p<\/td>\n

\\n <\/p>\n

15s 100p<\/td>\n

\\n <\/p>\n

25s 100p<\/td>\n

\\n <\/p>\n

30s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 1\/4\\” (6 mm)<\/td>\n

\\n <\/p>\n

10 f<\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/p>\n

2s 100p<\/td>\n

\\n <\/p>\n

4s 100p<\/td>\n

\\n <\/p>\n

12s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 3\/8\\” (9.5 mm)<\/td>\n

\\n <\/p>\n

10 f<\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/p>\n

6s 100p<\/td>\n

\\n <\/p>\n

8s 100p<\/td>\n

\\n <\/tr>\n

\\n <\/p>\n

Cutting 1\/2\\” (12 mm)<\/td>\n

\\n <\/p>\n

10 f<\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/p>\n

<\/td>\n

\\n <\/p>\n

4s 100p<\/td>\n

\\n <\/tr>\n

\\n \\n <\/p>\n

\\n <\/p>\n
\\n \\n <\/p>\n
\\n Note:<\/strong> When cutting wood, multiple passes may allow cutting of thicker materials. Using Color Mapping you can adjust the focus point between passes down to the center point of the cut for the best results.\\n <\/div>\n

\\n <\/p><\/div>\n

\\n <\/td>\n

\\n <\/tr>\n

\\n <\/tbody>\n

\\n <\/table>\n

\\n<\/p><\/div>\n

“}},{“type”:”html”,”props”:{“content”:”\\n\\n<\/p>\n

\\n <\/p>\n